She isn’t doing much of anything now

“She isn’t doing much of anything now is a series of textile artworks by artist Ola Korbańska resembling magazine cut-outs with slogans that derive from chats, gossip, dating situations as well as quotes found in literature and pop culture. They reflect on the feminine narratives — portrayals and representations of female presence in culture combined with personal situations openly exposed to the public. Full of contradictions, they grasp girlhood in its broad spectrum, of what’s intimate, collective, political or gossipy. It is a collection of moods on how we are seen and how we feel. We are sad but at least we are tanned.
In one of the chapters of Scum Manifesto, Valerie Solanas describes activities that females “waste away their time with, in ways of their own choosing”, like lolling on the beach, sewing or visiting. While the text itself is radical, this short fragment allows the dreamy, lazy element to be part of the feminist practice. Fascinated by this duality between fragility and resistance, Ola Korbańska builds a textile fort inside a garage that typically represents masculine space, transforming it into a feminine refuge. It is a gossip temple, filled with confessions and struggles, where everyone is welcome to chat, giggle, not do much of anything, rest and radicalize.
Similarly, the accompanied public programme co-curated with Tia Čiček brings together non-institutionally framed gatherings which go against an ever-producing mindset, but rather creates the atmosphere where people are nudged to relax. a curated playlist on desire and disclosure becomes the exhibition openings sonic backbone a mix that blurs boundaries between the private and the collective. The programme resists productivity in favour of presence: a space where gossip turns into points of departure, leisure becomes method, and intimacy is treated as a political act. Through shared listening, slow conversation, reading, napping, and gentle care rituals, the public programme extends Korbańska’s textile environment into lived experience … one that unfolds through giggles, confessions, and moments of doing not much at all.”
– Ola Korbańska, Tia Čiček
Gallery







IMPRESSUM
Artist: Ola Korbańska
Text: Ola Korbańska, Tia Čiček
Photography: Juraj Vuglač
Support: “Kultura nova” Foundation, Ministry of Culture and Media of the Republic of Croatia, City of Zagreb
Sponsored by: Medvedgrad Brewery
Biography
Ola Korbańska (1992) is a multidisciplinary designer and visual artist based in Berlin. She works with words, textiles, and semiotics, creating large site-specific textile works in public spaces that often center feminist and gender-oriented perspectives, alongside more intimate pieces exploring language and signs. She also practices illustration and graphic design and is open to commissions, collaborations, protests, research, gossip… you name it. She holds an MA in Contextual Design from Design Academy Eindhoven (2018) and a BA in Domestic Design from School of Form Poznań (2015).
Tia Čiček (1992) is a curator, writer and researcher. and have curated exhibitions through which they examine and experiment with alternative processes and collaborations that interrogate the circumstances, tasks and relationships of curating.They are programming Škuc Gallery and co-leading the World of Art School for Curatorial Practices and Critical Writing in Ljubljana. Focusing on collaborative exhibition-making, they assume care, feminist and queer methodologies as the basis of cooperation and discussions. Their curatorial research – entangled curating – introduces connectedness in care for all more-than-human species involved in contemporary art representation and discussion. They hold an MA in Art History from the Faculty of Arts in University of Ljubljana (2019).